War Pony Chronicles: Urho the Milk Drinker

In a department store in Minnesota in 1956, Richard Mattson invented the patron saint of Finland. He called him St. Urho. Why? Because Finland needed a patron saint, damnit, and their current one, Henry, Bishop of Finland, kind of sucked. For example: Henry could not guzzle sour whole milk in obscene quantities. Urho could.

Henry could not expel plagues of grape-munching grasshoppers from the countryside. Urho could.

And Henry’s name was Henry, for God’s sake, not Urho. Would you rather pray for strength to a saint whose name translates to Hero, or to one whose name translates to, ahh, Henry?

My point is that I’m calling this board a Jet Pony. I’ve tried other names and they don’t stick. I care not what anonymous blog commenters (“sounds like a Power Puff girl character” and ”isn't that the Care Bear with the rainbow on her overalls?”) or that one grumpy guy in France (“Not at all masculine. Also, a fish must be under six feet in length”) thinks. It’s a War Pony with a jet tail and it just makes sense.

This particular Jet Pony (or Jet Poni for my Croatian readership) is for North Bay surf-bathing enthusiast Keefe, who likes to shred Ocean Beach when he’s not consulting international startups, Occupying London, or blazing our local single-track offerings.

It's 6'4, very shiny, and sports a quad setup (patyo sa loob for those in the Philippines). Just the thing for OB, which has no shortage of steep walls and likes to reward those with superior rail-to-rail quickness.

Fast.

Glasser's Choice

The exhilaration in making a shortboard lies in the imagination—wondering what lines the board will be asked to draw, what spaces on the wave-map it will be asked to fill.
The shortboard, the thing of it, is a tool. A vessel. It gains us access to something else.
Shaping longboards, for me, is a different experience. The joy in making them comes from the thing itself. Witnessing its taking-of-form—its process is its own end. Not that the lines of a shortboard aren’t beautiful, or that shaping a longboard doesn’t stimlate the imagination. The bend of a nose rocker or the curve of a rounded pintail can absolutely shorten the breath, and walking down the length of a longboard rail is as close to shaking hands with Velzy as I’ll ever get.
But when people are in my shop and there’s a longboard on the racks, they can’t keep their hands off of it.

And sometimes I can’t get my hands off of them when they come back from Leslie’s shop.

This one's got some bells and whistles--blue high density foam stringer, red cedar sticks, opaque pigment volan deck patch, glass leash loop, and some sweet resin deck lines from the hands of La Meistra.
Poplar and bloodwood fin, and some resin tip-nips to keep things real at the nose and rear.
Andale!